The exhibition Remembering the Nowhere consists of images taken from family albums and a collection of private objects gathered from the former Yugoslavian diaspora, who came to Denmark during the 90s, mostly as refugees.  Both photographs and objects have an emotional and nostalgic value to these people, which is why they have been saving them for many years.

The exterior tableaus change in time with poems and photographs. The placement of hands. A gesture towards Per Højholt and his hybrid work Provinces from 1964. The film Show (Provinces) is shown alongside the exhibition Correspondence at Galleri Image.